

Interview to Jan Henrik
Ohme
By Sergio Vilar
Reason Gazpacho? How
were you happened the name?
We were in the studio writing music as usual, when we started
discussing the band name, which is always difficult, and it had been a returning subject
for a while.
Thomas had a part of a Marillion lyric on his PC screensaver; "The stains on her versace scarf, were they
really just Gazpacho"? So, he suggested Gazpacho to be our band name, and
we all fell for the idea.
How and when the band
began?
The band was formed in 1996. For a while, I had been doing some
session work for Thomas in his studio, doing voice-overs and singing for his radio
and TV spot productions. One day we decided to write a rock song as one of us were in the
middle of a very turbulent relationship at the time.
So we did. It worked out fine, and all of a sudden plans were being made, songs kept
pouring out of there and we suddenly had a band going.
Which is the current formation of the band and what
instruments do you play each one of you?
Jan Henrik Ohme - Vocals & Acc. Guitar
Jon Arne Vilbo - Guitars
Roy Funner - Bass
Thomas A. Andersen - Keyboards
Geir Digernes - Drums
We also use session musicians for e.g. flute and violin
Was your music this way from the beginnings? Which were your
first influences?
As
any band, we just wanted to make the kind of music that we would want to buy. That was our
greatest influence. It did take us a few years to find just the right Gazpacho mood
and sounds going, but the diversity in the members' tastes makes it imossible to single
out any particular influences durig that time.
Our tastes range from opera to hardcore punk rock.
Is music to feel, more
than to interpret messages in her?
We do live and write by the "feeling is everything"
idea. It's all about the mood and feeling of the track, not about radio friendliness or
anything else. As each song progresses, the song itself tells us in wich direction it
wants to go, and the song always gets what it wants...

Which is the message of its
lyrics?
Many
of our lyrics are subtle enough to be interpreted by the listener in different ways.
Some people think "Sea of Tranquility" is a love song. Others have told
me they think it's a bout a murder.
Who am I to tell them what is correct and what's not? It's down to the audience to feel
our songs in their own way. That is our aim in writing them.
What can you be about the
composition process and of recording of "Bravo", your excellent album premiere?
"Bravo" came about after we had almost finished the writing and pre-recording
work for a concept album we started on in 1997.
We we're kind of banging our heads against the wall when we started writing new songs
rapidly that we felt were a lot better than the ones on the concept album. So we put the
concept on the shelf, and started recording this whole new set of songs which turned into
the album "Bravo". Composing and writing is almost always a collective
process. Thomas and Jon jams up a "skeleton" of the track, only with
guitar and keyboard. Then I some in and make a melody and maybe sketchy lyrics on it,
After that we decide if it's good enough to pursue the song and orchestrate it fully, or
move on to the next sketch. :-) We always write like that.
"Bravo" was reorded entirely in Thomas' studio, Krypton
Soundplanet in Oslo.
      
Each as much as you
play live? Are you very busy musically?
We do gigs these days, and are in the process of booking a tour
in England/Scotland for this autumn.
Fingers crossed, we'll try and do a small mainland Europe tour late autumn/early winter
next year.
What bands are you
listening at the moment?
5 guys listen to alot of different stuff... a few of the bands we
listen to these days are; Jayhawks, Muse, Kate Bush, Saybia, Van
Halen, Tool, Mr. Bungle, Porcupine Tree...
Some disk or band that you want to recommend us?
Gazpacho - "Bravo" ! ;-)
Do you already have compound material or in preparation for a
second album?
Yes,
we have a lot of tracks that could end up on the next album. However, there's plenty of
time until "deadline" so we make around 1 song per week these days, to have
plenty of tracks to choose from.
With what changes will
we meet in connection with "Bravo"?
That's really too early to say. Our only goal is to
"beat" "Bravo" in our own heads; to get the feeling that we've
surpasssed it and grown in our style.
Of now in more, how
does it follow Gazpacho?
Gazpacho will always change. But we've come to a point in
sound where, no matter what genre we make in the future, you will still know it's Gazpacho
the first time you hear it. Unmistakably.
Thank you. Do you want to add something more?
Thank you for your support, Sergio.

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