Auf der Maur, a well known Montreal columnist, along with former Montreal Gazette music critic Juan Rodriguez walked on stage at a press conference announcing the cancellation of the main event due to legal pressure from Love and began berating Harrison and co-presenters Ian Halperin and Max Wallace, the authors of a soon to be published book entitled "Love & Death: The Story of Kurt & Courtney," which infers foul play in the April '94 suicide of Cobain. Both Auf der Maur and Rodriguez were removed from the hall by venue bouncers.

Montreal was the last stop in a four-city tour that included Ontario's Hamilton, London and Toronto. The Toronto engagement was attended by roughly 200 Nirvana addicts, curiosity seekers and occasional hecklers who paid $12.50 for the festivities. There, Jack Palladino, a San Francisco lawyer retained by Love, interrupted Harrison and authors Halperin and Wallace and debunked the evidence and its presenters.

Halperin told the Montreal audience of about 80, "I've been harassed, I've been followed -- I'm not backing off this. This story goes further." He told Rollingstone.com that Palladino has been dogging him for months and the Love camp had even gone as far as to take out ads and make phone calls to various book publishers warning them off printing their manuscript as well as a similar book written by Harrison called "Kurt Cobain: Beyond Nirvana."

Halperin says that the publishers have been balking. "They're not concerned with the legalities of our book," says Haperin, who contends that a lawyer has already cleared their manuscript. "They're concerned with having to incur the legal costs of any action taken against them."

Halperin adds it was originally Harrison's lecture series. "We heard about it," says Halperin, "and thought we should get involved because we could present a more educated view of the case because he tends to mouth off a bit. He actually does accuse her of murder." He adds that his and Wallace's book doesn't accuse Love of anything, it just suggests the case should be re-opened.

Hole's manager Brian Celler refused to comment on the proceedings and would neither confirm nor deny Love was trying to stop the book from being published or that they were trying to stop the series, which Halperin says will continue in the States next year. But Love's camp is obviously putting on pressure. Toronto-based promoter Victor Shiffman was sent a letter from the New York law firm Gendler, Codikow and Carroll threatening legal action if the tour continued.

Similar letters were sent to the venues including one addressed to the Opera House in Toronto that said, in part: "We are shocked that you are providing Halperin, Wallace and the grotesquely pathetic Hark Harrison with a forum for their vicious and defamatory accusations. Any person or entity which publishes or republishes defamation with knowledge of its falsity is liable for the damages caused whether or not that person or entity endorses the falsehood."

Promoter Shiffman confirmed to the Canadian Press wire service he wasn't legally ordered to stop but he told the service "the pressure was too much" and he pulled the plug on Montreal.

The lecture builds a murder conspiracy theory around Cobain's suicide and contends: Love was looking for "a vicious divorce lawyer" to fight a reported prenup that favored Cobain; there was a $50,000 contract out on Kurt's life; that no fingerprints were present on the shotgun found with Cobain's body; that an autopsy ruled the singer had a "double-dose" of heroin in his system; and that a portion of the suicide note is in someone else's handwriting. They also trotted out video taped interviews of coroner Dr. Nikolas Hartshorne admitting he and Love were friends, and footage of private investigator Tom Grant, hired by Love to track Cobain down when he went AWOL from a drug rehabilitation center just prior to his death, saying he believed there was foul play.

The Canadian media almost universally panned the lecture and dismissed the arguments as thin at best. Canada's Jam! showbiz news wire portrayed Harrison, who has penned three books about the Grateful Dead, as a rambling, aging, overweight hippy with a bone to pick with estranged daughter Love and called the presentation a cultish "three-hour amateur freak show." The Toronto Sun used the adjectives "crude," "oddball," and "bizarre."